Our Organs

 

St Mark’s Anglican Church Organ

Laurie Pipe Organs Pty Ltd, 1975, for Whitley College Chapel, Royal Parade, Parkville
Installed in present location 2017 Stewart Organs
1 manual, 5 speaking stops, 1 coupler, mechanical action

Historical and Technical Documentation by John Maidment
© OHTA, 2017, 2018 (last updated July 2019)

The wooden building of St Mark’s Church of England, Balnarring, was constructed in 1914 at the junction of Balnarring Road and the Frankston Flinders Road. Following the First World War, the site was further distinguished by its pine trees, some of them a memorial to local fallen soldiers. In August 2017, Bishop Paul Barker dedicated the extensions to and renovation of the church, its hall and op shop, now integrated into a single complex. The gift of the organ from Whitley College has provided an added blessing, being an instrument well suited to its new environment.1

The organ was built in 1975 by Laurie Pipe Organs Pty Ltd, of Moorabbin, Vic. for the former chapel of Whitley College, Royal Parade, Parkville. The College was founded by William Whitley in 1891 and occupied various sites in Melbourne before moving to Parkville. From 1965, it was affiliated with the University of Melbourne, but has now become an independent Baptist teaching college within the University of Divinity. The small chapel was located on the perimeter of the new building opened in 1965 in Royal Parade, designed by the architects Mockridge, Stahle & Mitchell.2 The circular building, built in grey Besser brick with an internal courtyard, has been sold for redevelopment as student accommodation. The chapel had a remarkably resonant acoustic.

The asymmetrical casework of the organ was designed by Steve Laurie and includes folding doors painted with an abstract design. It is a rare example of a new mechanical action organ built by the firm, which unsuccessfully quoted on building a number of others, such as the chapel of Merton Hall, South Yarra, Robert Blackwood Hall, Monash University, Corpus Christi College, Clayton and St Paul’s Church, Henty.3

The inaugural recitals on the instrument at Parkville were given by Douglas Lawrence on 27 and 28 June 1975,4 and the organ was used for several concerts during the 1970s for the Melbourne International Festival of Organ and Harpsichord. With the closure of Whitley College chapel, the organ was declared redundant and moved in 2017 to St Mark’s Church, Balnarring, by Ken Falconer of Stewart Organs.

The organ is notable for its excellence of construction, and its bright and characterful sound. The bass pipes of the Pedal Bourdon have been constructed in a common unit, with shared side walls and the levers for the stop action are exposed on the left-hand side of the case. The organ may be played with the doors closed with expression provided through the single roof shutter. The manual ranks are divided between B and C.

MANUAL
St Diapason
Gemshorn
Recorder
Mixture 19.22
Manual

 

 

PEDAL
Bourdon

8ft
4ft
2ft
II

16ft

divided wood
divided
divided
divided
[Manual to Pedal coupler]

Compass: 56/30
Mechanical key and stop action
Balanced swell pedal5

The organ was classified by the National Trust of Australia (Victoria) in 2008 as a significant example of a pipe organ of the period:

  • It is one of a handful of new mechanical action instruments built by the Laurie firm;
  • It is the most successful small organ built in Melbourne with mechanical action during the 1970s period;
  • It is an instrument displaying originality in its appearance, fine craftsmanship and an excellent sound;
  • It is an early example of a number of new mechanical action organs installed in the 1970s within Melbourne as part of the local organ reform movement.

1 Information kindly supplied by John Barren, February 2018; see also Mary Karney, St Mark’s Anglican Church, Balnarring: a history.  Balnarring: the Church, 2018.

2 Philip Goad & George Tibbits, Architecture on Campus: a Guide to the University of Melbourne and its Colleges (Carlton: Melbourne University Press, 2003), p. 74.

3 Drawings for some of these are housed at the University of Melbourne Archives.

4 Bob Jefferson, Steve Laurie, Organ Builder: His Life and Works (author, 1998), pp. 188-89.

5 Details noted by John Maidment, December 2007.

Whitley College: exterior view
[photograph by John Maidment (5 December 2007)]

The organ in its original location at Whitley College
[photograph by John Maidment (5 December 2007)]

View of the organ with the doors closed
[photograph by John Maidment (5 December 2007)]

St Mark’s Church, Balnarring: organ and church interior
[photograph by Ken Falconer (January 2018)]

St Mark’s Church, Balnarring: organ
[photograph by Ken Falconer (January 2018)]

St Mark’s Church, Balnarring: stop jamb
[photograph by John Maidment (5 December 2007)]

St Mark’s Church, Balnarring: Pedal Bourdon pipes
[photograph by John Maidment (5 December 2007)]

Whitley College Chapel: stop action levers at left hand side of case
[photograph by John Maidment (5 December 2007)]

St Mark’s Church, Balnarring: console
[photograph by Ken Falconer (January 2018)]

St John-the-Evangelist Anglican Church Organ

B 1874 Douglas Renton
inst present loc. 2005 from Elsternwick Baptist Church
1 manual, 9 speaking stops, 1 coupler, mechanical action

The Church of St John-the-Evangelist, Flinders was dedicated on 28 January 1892. The building was designed by architect William Barker and was constructed in brick in the Gothic style. The original building consisted of nave of four bays, western porch and a small sanctuary. On 11 June 1935, major additions to the church were dedicated. These consisted of transepts, sanctuary and vestry, all designed by architect George Smith. (Ruth Carter, The Anglican Church of St John the Evangelist Flinders 1892-1992, pp.5, 11)

The pipe organ that was installed in St John’s in 2005 has a long history, with earliest records dating back to 1874 when it was installed at the Presbyterian Church, Williamstown and opened there with a sacred concert on 22 January 1874. The Williamstown Chronicle, 24 January 1874, p.5 recorded:

The organ contains one manual and two octaves of pedals. Its compass ranging from CCC to GG. And contains eight stops. It also possesses a Bourdon pedal. There is a coupler manual attached to the pedals, the whole, except the Bourdon and open diapason front pipes, being enclosed in a swell box. The case is plain, of stained deal, varnished, and the front pipes gilded. It is erected behind the pulpit, and forms a very handsome backing for the same. The whole cost, including its erection in the church, amounts to about £300. The quality of tone of the instrument is very fine, being mellow and round, and though of not great power, still quite sufficient to fill the church. The instrument was supplied by Messrs. Wilkie, Webster, and Allan, and was built for that firm by Mr Renton, one of the gentlemen who came out in charge of the Melbourne Town Hall organ.

An inscription on the organ before 1987 recorded that it had been installed at Williamstown on 21 January 1874 by J. Jones.

This is likely to be the only surviving Australian organ built by Douglas Renton, who was a Scottish organbuilder who settled briefly in Melbourne before returning to Scotland in the mid-1870s. Renton also appears to have built a second small organ for Wilkie, Webster and Allan that was initially located in the Congregational Church, Howe Crescent, South Melbourne opened in March 1872 and later in the Presbyterian Church, Richardson Street, Albert Park before being broken up c.1970. The reservoir of this organ was marked with Renton’s name. The Flinders casework, with its posts and finials and quatrefoil decoration of the impost and transom rails, and its tonal design, is virtually identical with other organs built by Melbourne organbuilder William Anderson and it seems highly likely that Anderson had some role in the building of this instrument, maybe manufacturing many of its parts on a sub-contract basis.

In 1882 a new Fincham organ was installed at Williamstown and the earlier organ moved by Fincham in July 1882 to ‘Dhurringile’, near Murchison, Victoria, a large mansion owned by J. Winter. A spotted metal Angelica appears to have replaced the original Twelfth at this time. An organ in this residence is mentioned by William Bossence in his book Murchison, page 20. The mansion was later owned by the Hon Robert Harper, MLA (personal communication the Revd David Poole to John Maidment 1987; Fincham letter books 23 May 1919).

In 1919 it was installed by George Fincham & Son at Kew Baptist Church for £110 (Jill L. Manton, A History of Kew Baptist Church: the first 125 years. Kew: the church, 1981, p.26; Fincham letter books 23 May 1919) and in 1923 it was moved to the new church in Highbury Grove, Kew – “the organ repaired, dismantled and installed in the new church”, opened 9 June 1923 (Manton, p.30). An electric blower was installed in 1932.

In 1938, the organ was sold to Elsternwick Baptist Church for a sum of £80. It was installed by C.W. Andrewartha, of Caulfield, who had built a new organ for the Kew church in the same year. In 1987 the organ was partially restored by S.J. Laurie Pty Ltd. The bellows gussets were replaced, feeders removed, windchest and action overhauled, console repolished, and the façade pipes resprayed in gold.

The organ was moved in September 2005 to St John’s Church, Flinders, a small historic township at the entrance to Western Port Bay. The work has been assisted by an OHTA-sponsored restoration appeal. As the Elsternwick church had been auctioned earlier in 2005, the organ had become redundant. The instrument was in excellent shape apart from some borer infestation, which was addressed, and some deterioration of roller arms and glued joints. The casework, covered in ‘Estapol antique’ has been cleaned back and repolished. The organ has been installed in a diminutive south transept, providing an excellent home for the instrument. The restencilling of the facade pipes by Marc Nobel was completed in October 2006 utilising patterns and colours from the facades of the William Davidson organ at St Paul’s Anglican Church, Burwood, NSW.

The specification is as follows:

MANUAL
Open Diapason
Stopped Diapason Bass
Clarabella
Dulciana
Principal
Flute
Angelica
Fifteenth
Manual to Pedals

PEDAL
Bourdon


8
8
8
8
4
4
8
2

16


bottom 16 zinc in façade (one central dummy)
CC-TB
MC
gvd bass

TC replacing original Twelfth


Compass: 56/25
4 composition pedals
lever swell pedal
tremulant (later addition)

Photo: Trevor Bunning (Oct. 2008)

Photo: JRM 2006

Photo: JRM 2006

Photo: JRM 2006

Photo: JRM 2006

Photo: JRM 2006

After the restencilling of the façade pipes

Photo: JRM 2006

Before the restencilling of the façade pipes

Photo: JRM 2006

Trevor Bunning (October 2008)

Photo: JRM 2006

Photo: JRM 2006

Trevor Bunning (October 2008)